Thursday, August 7, 2008

The Wit and Wisdom of Ken Rockwell

I'll bet you're real glad NOT to still be eyeballing my mug! (Which graced[?] the lead article on the PGS site for a few days.) I may not be a total affront to the eyes--although some might disagree--but Brea (and I'm guessing most would agree) is definitely easier on them, way easier on them... on the eyes, that is.

It's been a wacky few days dealing with car problems, family stuff, and some pretty girl shooting in a hot studio with an on the fritz air conditioning system. As usual, I've spent a fair amount of time on the web. Also, "as usual," the vast majority of that web surfing has been focused on photography. As a result of my most recent internet adventures, I stumbled on the wit and wisdom of photographer, Ken Rockwell. Click on his link, "How to Make Great Photos," for a comprehensive list of illuminating articles by Rockwell.

Many of you may already be acquainted Rockwell's occasionally controversial take on photography. His website has been up since 1999. I wasn't aware of him or it and I'm not sure how that happened. But now, I am... aware of the guy, that is.

Rockwell writes about all kinds of things related to photography: From product reviews to "how-to" articles to his own, personal view of the business of photography and the opportunities available to photographers-- Wanna-be photographers (of a "pro" nature) and otherwise. It is the stuff I'd categorize in that latter part of the previous sentence that I've found most enjoyable to read.

Amongst my fave Rockwell articles are, "The Seven Levels of Photographers," an incisive satire, and "How to Go Pro." Both articles include some very useful info, altho it's not always the kind of stuff people want to hear.

There is lots to discover on Ken Rockwell's site. I'm still checking out the articles. I think you'll find much there worth the time to read.

As mentioned, the easy-on-the-eyes pretty girl at the top is Brea. I was on a location shoot and the video production crew left few places for me to photograph her. The dining room table seemed an appropriate-enough place to serve-up a dish like Brea. I lit Brea with three sources: My mainlight modified with a 5' Photoflex Octodome and two accent lights, behind the model and off to the sides, modified with medium strip boxes.

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